Happy new decade! Yes, I am aware that there was no year zero, thus next year is the new decade. I like 0’s, though: so you have to put up with my excitement for a bit.
This is the best “emo” album ever created, and I have no regrets saying that.
It’s a bit unfortunate that everyone just associates this album with the political climate of the early 2000’s: specifically in response to the “war on terror” and the invasion of the middle east. This album puts a spotlight on the financial situation that we are still plagued by. Everything from a priority put on finances to the abandonment of happiness in a pursuit for the advancement of financial gain.
I digress, let’s start with the music.
I don’t think I have ever found a better intro for an album. “For the Workforce, Drowning” starts this album off with seven of the most abrasive hits that have ever been composed. The entire song highlights the musical prowess of this band. Beautifully harmonized guitars, tasteful drum lines, and an almost off-key singer. I am ready to be proven wrong; but, at least from my personal plunge into music, this marks the first time a bass was used as more that just rhythm. From the 1:52 point until 2:32, the guitar takes a back seat to beautifully composed bass-lead that eases the listener from the barrage that just occurred. It only last for about 30 seconds before the slap-in-the-face that is the ending. It almost creates a false sense of calm before the climax of the chaos.
I use the first song as a kind of beautiful depiction of the album as a whole. “Sleep Ascending” starts a reprise before the brutal sincerity that is “M. Shepard” to the end of the album. This is one of the few albums in my collection where the vocals match the desperation of the music.
I feel out of my depth. I find it very hard to talk about this album without gushing about the vocals which, I have made clear, I am terrible at talking about. I’m a drummer, not a vocalist. I know enough to know that the singer is NOT a good singer. Much like The Cure, I could not fathom this band existing with a different singer.
Long story short, I love this album. Definately for fans of punk and emo from the turn of the millenium. I cannot even say that this album is musically fantastic, but I find it one of the most important releases of my life.
On a personal note, I have been let down three times by this band. Since the first Taste of Chaos Tour in 2005, they have canceled every show that I have tried to see them in. Yes, they always had valid reasons, but teenaged-Jay was disappointed anyway. If you have seen them, let me know how fantastic they were.
This review was written after a discussion with my old bass player, Caitlinn. She brought up the fact that she just found a burned copy of this album, and I reminded her that I made that for her forever ago.