Classic Album Review :: Stabbing Westward — Darkest Days

I might be wrong: I think everyone forgot about this album. I find it strange because this album is like a strange radio-friendly version of early Nine Inch Nails mixed with Bush X. It is both accessible and hard-hitting. I do not have it in my pantheon of constant rotation, but it is a very welcome addition to my library.

The album opens with a haunting soundscape, very mechanical and broken. The bass then kicks in driving a simple 4/4 riff while bells chime overtop. It is incredibly haunting, even if it is simple in execution.

The coolest part for me is that the vocalist starts by singing in almost a whisper, only to crecedo when the music does. And how it does! The opening track is in my top 10 opening tracks for demonstraiting the full capability for a band. Nothing is very from a skill perspective, but it is very impactful and hard-hitting.

One of the last lines of the first track (everything I touch I break) gets repeated over and over in the second track. Not in an “I’m 13 and know everything” kind of way, but more that dark and brooding way that Deftones does — point out the horrible in people and exploit it. The kind of angst that never really comes off as whining, but more like that expression of a soul done by someone who has actually seen some shit. The kind of writing that we all wished we were capable of in high school, tried, but came off as spoiled children instead of creating the portrait that we were trying to express.

Have I mentioned that the late nineties, in particular ’97 through 98, is my favourite moment in music? I do not know what was going on in society, but everything was perfect. From Beautiful Midnight by Mathew Good Band to Rabbit In Your Headlights by UNKLE came out right around the release of this fantastic album. I have gushed about the atmosphere of the former, and I plan on writing something on the latter in a bit, but that year is peppered with genre-defining moments of all forms.

Anyway, I have gushed enough. I know that I did not go further into specific instrumentation, as I normally do. This album is better defined through the overall feel, not to say the individual parts do not matter. For a proper breakdown of the instruments, all I can say is nothing special happens and that actually makes it better. Give it a listen. You’ll know what I mean.

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