Classic Album Review :: Nothingface — Skeletons

I posed a question to my Facebook asking whether I should do a comparison between this and Mudvayne’s End of All Things to Come. The response was just to do the review of LD50 that I did the other day, but there were a few people that said I should just focus on this album.

This album sits in a strange place in regards to all the other metal from the early 2000’s. It starts with a pretty series of chords then quickly devolves into chaos. Ironically, in a bubble, the first song is probably the weakest on the album. That really is saying something when it slaps so fucking hard.

The best part of this album, in my opinion, is how it feels like a pop’d up David Botrel production. For those who don’t know, David Botrel is famous for the work he did with Tool as well as various other emotionally heavy albums.

What I find interesting, also strange for an album that I hold in high regards, is how the vocals are the centre of the mix. It is actually mixed like a pop album that way: where the instrumentation takes an almost backseat to the vocals. Most metal I listen to is very much the opposite, and this makes the lyrical dynamics much more important.

This is a double-edge sword, however. Some of the lyrics are (for lack of a better term) stupid. On that note, I do get the over arching message this band is trying to portray. They tend to lean in heavy on the idea that society is messed up. Unfortunately, the phrases they choose to highlight sometimes fall flat (see the repetition of “Kill That Motherfucker It’s All That I Think About”). It tends to quash any respect this band might have garnished from the general public.

On that note, some songs are amazing lyrically. Ether stands out as one of those, where the content is talking about the systematic disillusionment of the masses starting at a young age. Songs like this save the album from coming off like it is written by a 15-year-old who can’t get a girlfriend.

I cannot talk about this album without bringing up the drums. On first listen, they are not impressive. All the songs (minus the occasional hit) are in simple meter, so one can be forgiven for thinking that the accompanying rhythm would be simple, as well. Once you sit down and try to figure things out, it is quickly apparent that this drummer is a beast.

I say simple, but the song “I Wish I Was A Community” opens with oppressive crushing hits that do not, in any way, sound simple. Actually, before writing this retrospective, I had forgotten about this song completely. Not my favourite on the album, but damned close.

I comfortably put this album in my top list of all time, though I never bring it up as an example for my taste. Not because I’m embarrassed to admit it, but simply because it is a outlier. Very few things (that I have come across) have this sound. You can find things that have elements, but nothing that has the complete package.

Talking to a couple of friends, they pointed out that Violence is the better album, and I fully admit that I don’t know that album. I have probably missed something amazing, and if this album is any indication, I should probably go back and check that out. IN THE MEAN TIME, enjoy.

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