Classic Album Review :: The End — Within Dividia

Well, I am highlighting a metal album! This should have no bearing on metrics, at all!

(He says, facetious.)

In all seriousness, this album is very much not fair. Unlike their cohorts in The Dillinger Escape Plan, this album contains no punk influence. That limits the scope of possible fans, but makes it a better listen when you just need to express unbridaled anger.

I do mean anger. Often, metal and depression go more hand-in-hand in my mind, but this album is just intense all the way through. It is a constant barage of hits and accents punctuated by moments of constant auditory oppression. Now, couple that with instrumentation that is entirley not fair and vocals that could have been written by a very talented pissed off cat, and you get one of the most intense albums you will ever come across.

The transition this band took on the next album caused whiplash. They went from a Dillinger-Calculating Infinity-esqe slaughter to more of a Tool mixed with Dillinger sound. The vocalist got “prettier” and they focused more on waves of rhythm, as opposed to shots of chaos. The next album was a fantastic addition to their repitior, but Within Dividia is still where my heart lies. I honestly feel that this album will stand alone for all time as one of the greatest albums in it’s genre to come out of Canada.

Very much for fans of The Dillinger Escape Plan and Buried Inside.

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~Courage My Love — Teenagers {REVIEW}

I admit, I am riding a small hype train here.
The words in this review are genuine, however.

My old guitarist joined Courage My Love roughly five years ago, and I was intrigued at how it would go. Brandon had, to my knowledge, played in only hardcore and metal bands his entire music career. My worry was not whether he could cut it, I was more concerned that he would get bored.

Before I go further, I would like to state that I like Courage My Love. The Twin played with them a few times years ago. Of course, this was before Brandon joined, and their sound was very different from this song. They used to be more punk. Their sound has evolved and, dare I say, matured. I cannot find example of what they used to play, but think mainstream femme punk circa 2007-ish. Very Paramour, without being Paramour. Since I am friends with all the members, past and present, I am probably going to get shit from them for making that comparison.

I MAKE THAT COMPARISON OUT OF LOVE! I MEAN THAT WITH ALL IMPLIED COMPLIMENT!

The new sound is very ’80s pop mixed with a more contemperary sound. Mercedes’ voice is strong. The melodies soar over the cacophony of sound. Phoenix’ drums are simple, but absolutely perfect for what the song needs. I am thoroughly impressed with what they are doing.

A part of me is incredibly jealous. They seem to be flying close to the sun without worry of burning, and it is a placement I have strived for. To think that this was a band that I used to see as that band that would open for me, now I would beg to open for them.

I digress. This article is very hard to write because I know all three of the members personally, and I have to stride a line between honest gushing and the glib, pretentious music-nerd that they know me as.

Regardless, congratulations and praise, Phoenix, Mercedes, and Brandon. Fuckin’ keep killin’ it.

New single, Teenagers.

Classic Album Review :: Sloan — Navy Blues

I feel like I need to remind society, as a whole, about this fantastic Canadian gem. Navy Blues was Sloans fourth album and, in my mind anyway, their most amazing release to date.

The year was 1998. The landscape in the music world was dark and brooding. Refused was asking to get the airwaves back, and Matthew Good Band was slaying society by reminding ourselves how bleak and pointless everything was. It actually remains one of, if not my personal favourite periods in music. Korn was still worthy of respect, Meshuggah was being ridiculous, and The Dillinger Escape Plan followed up to a very technical introduction with one of the most complicated (sonically) albums ever released.

Through all the brooding, doom, and technical insanity, Sloan released a throwback.. Navy Blues is The Beatles in the nineties, but with more coherent lyrics. I will not sugar-coat it: this is a pop album. It stays on my radar by having some of the most interesting and simple drumming I have ever heard.

Between tight harmonies, catchy hooks, and a driving beat, this album continues to bring nothing shy of a smile to my face.

Maybe it is because it is cute¬†and simple that I love it so much. When you have such a fantastic year of really complicated albums coming out, the pop throwback not only stands alone but is more appreciated for not pretending it’s something it’s not.

I won’t bullshit music fans: listen to the album, but realize that it’s not for everyone. Stated again: it is a pop album. It is great to listen to when cruising in a car on a summer day with windows down.

My recommendation is watch the horribly arrogant and hilarious music video I have provided.

Incase you haven’t noticed: I really don’t know what to write about. I felt like bringing this album to light because I feel like it is forgotten in the shuffle. I used to write a fuck-tonne of reviews and highlights like this (only more arrogant) a few years ago. Leave a like if you think I should do more. It’s fun!
Also, I do Canadian Independent Punk reviews over on Mind The Music T.O. most Mondays.

I will have something next week that isn’t just a review. I wanted to do this (it’s been in my head a while).

ALBUMS OF NOTE THAT YEAR:

& You Will Know Us By the Trail Of Dead — ST
(Not their best, but it does mark the beginning of something great)
Board of Canada — Music Has the Right To Children
(Ambience arguably at its best)
Bran Van 3000 — Glee
(Canadian dance weirdness)

I cannot continue this list. I have 33 different albums that I would have to talk about.
You get the idea.