Album Review :: New Design — Far From Home

I don’t think that I mentioned it in the last two reviews, but I was given some stupid FaceBook task where I was just supposed to put an album cover up (no additional information) and tag someone in it. It was lazy, pointless, and I decided to give myself the task of writing a full review for whatever I felt like deserved to be part of the decathlon of recommendations. The reason? Combination of arrogance, and bands like this.

New Design is a group from Brampton which is near the GTA. If you know nothing about Canada, they are from a city close to the city that you assume is our capitol that isn’t. If you are from Canada, you know how hilarious that sentence is.

*pause for laughter*

ANYWAY. New Design is beautiful. They take all the best parts of the emo movement of the early 2000’s and do away with the annoying bits.

They are beautiful. The music, I mean. Well, the members of the group are beautiful, as well.

…now I’m just being awkward….

I need to stop being so sidetracked. New Design are emo without being whiny. They got hold of me while I was writing for Mind The Music TO a couple of years ago. I really do love the independent music scene: you get some of the most creative and beautiful things to come out of it.

I have waffled on long enough about various things, and I have stated that I love this band. Though this album is a great introduction, I highly recommend anything by this band.

All the music can be streamed from their Bandcamp.

Classic Album Review :: Alexisonfire — Self Title

I just noticed that this album was almost 20 years old. I was in grade nine when then came out, I was just discovering scremo/emo, ska, and skate punk, I was very embroiled in the metal scene. Then, when watching some music video program way too late at night, I saw the debut for Pulmonary Archery. I did not get it, but Holy Fuck I loved it.

What’s absolutely brilliant about this album is how simple everything is if you remove the guitars. Yes, the guitar lines are incredibly ornate and demonstrate what can be done in punk music, but everything else is simple and fantastic! The bass drives the songs and keeps the structures attainable, the drums do little more than drive the beat, and the singing is just simple enough to get melodies trapped in your head forever. Even the screams are perfectly placed to ensure that you notice them.

Now, let’s get back to those guitars.

My prime example of how incredible the guitars are is the song Counterparts and Number Them. The parts individuly, though weird, are not difficult. The impressive part is in knowing they were ever not entwined. They bounce between being lead and rhythm every bar, and they never leave the listener bored. The best part about the guitar is that nothing, not even the drums, cast the dullest shadow.

There is something magical about how simple the drums are. They just compliment the music and never become overbearing. I think every not-real drummer in my high school could play Pulmonary Archery. Not as a slight! It just leant itself to being replicated.

Now I sound like an arrogant asshole so MOVING ON.

I started to write this, decided against it, and then discovered that they were inspired by Quicksand. I love that band to no end, but never hear anyone talk about them. I was forced into writing this because of that fact alone.

Seeing as there has been nothing this hard hitting in the punk-scene since Refused, and this is a fantastic tribute. I recognize that there have been other near-hits in regards to this sound, but nothing is near as iconic.

Music Review :: Adam Evers — Moments

Adam is a talented musician who lives in Toronto, Canada. He is stupid talented, and his voice is amazing. I am getting ahead of myself.

Adam recorded an EP called Moments a few months ago. It blew me away. I’m not normally interested in acoustic jams, but this is exactly what I wanted. Somber, warm, and new yet familiar. I really dig it.

I hate to make comparisons when it is independent music, but it really reminds me of A Perfect Circle‘s acoustic stuff mixed with mild Arab Strap. Beautiful and haunting. I cannot help but feel that this EP is important when I listen to it. The whole adventure last just under fifteen minutes, but the impact it had on me was significant. I have listened to this simple set of recordings dozens of times.

It wouldn’t be a review from me if I didn’t talk, at length, about the instrumentation. The first track is a perfect example of how to do acoustic music right: tasteful violins, huge percussion, wispy vocals, beautiful bass, and minimal (yet poignant) guitar riffs.

I don’t really have a favourite on the album, but I am partial to the song Bodies. I don’t have reason to say any song above another, but maybe because it’s just a beautiful song and a perfect example of what I enjoy about music. Maybe because I am just listening through the EP for the fifth time since I started writing this review and the song just came up again.

Know what? I can sit here all day and talk about how music this EP touches me, or you can listen to it yourself and understand where I am coming from. It’s available on every possible outlet for sale, but YouTube has the whole thing up for stream.

Enjoy!

Classic Album Review :: The End — Within Dividia

Well, I am highlighting a metal album! This should have no bearing on metrics, at all!

(He says, facetious.)

In all seriousness, this album is very much not fair. Unlike their cohorts in The Dillinger Escape Plan, this album contains no punk influence. That limits the scope of possible fans, but makes it a better listen when you just need to express unbridaled anger.

I do mean anger. Often, metal and depression go more hand-in-hand in my mind, but this album is just intense all the way through. It is a constant barage of hits and accents punctuated by moments of constant auditory oppression. Now, couple that with instrumentation that is entirley not fair and vocals that could have been written by a very talented pissed off cat, and you get one of the most intense albums you will ever come across.

The transition this band took on the next album caused whiplash. They went from a Dillinger-Calculating Infinity-esqe slaughter to more of a Tool mixed with Dillinger sound. The vocalist got “prettier” and they focused more on waves of rhythm, as opposed to shots of chaos. The next album was a fantastic addition to their repitior, but Within Dividia is still where my heart lies. I honestly feel that this album will stand alone for all time as one of the greatest albums in it’s genre to come out of Canada.

Very much for fans of The Dillinger Escape Plan and Buried Inside.

~Courage My Love — Teenagers {REVIEW}

I admit, I am riding a small hype train here.
The words in this review are genuine, however.

My old guitarist joined Courage My Love roughly five years ago, and I was intrigued at how it would go. Brandon had, to my knowledge, played in only hardcore and metal bands his entire music career. My worry was not whether he could cut it, I was more concerned that he would get bored.

Before I go further, I would like to state that I like Courage My Love. The Twin played with them a few times years ago. Of course, this was before Brandon joined, and their sound was very different from this song. They used to be more punk. Their sound has evolved and, dare I say, matured. I cannot find example of what they used to play, but think mainstream femme punk circa 2007-ish. Very Paramour, without being Paramour. Since I am friends with all the members, past and present, I am probably going to get shit from them for making that comparison.

I MAKE THAT COMPARISON OUT OF LOVE! I MEAN THAT WITH ALL IMPLIED COMPLIMENT!

The new sound is very ’80s pop mixed with a more contemperary sound. Mercedes’ voice is strong. The melodies soar over the cacophony of sound. Phoenix’ drums are simple, but absolutely perfect for what the song needs. I am thoroughly impressed with what they are doing.

A part of me is incredibly jealous. They seem to be flying close to the sun without worry of burning, and it is a placement I have strived for. To think that this was a band that I used to see as that band that would open for me, now I would beg to open for them.

I digress. This article is very hard to write because I know all three of the members personally, and I have to stride a line between honest gushing and the glib, pretentious music-nerd that they know me as.

Regardless, congratulations and praise, Phoenix, Mercedes, and Brandon. Fuckin’ keep killin’ it.

New single, Teenagers.

Classic Album Review :: Sloan — Navy Blues

I feel like I need to remind society, as a whole, about this fantastic Canadian gem. Navy Blues was Sloans fourth album and, in my mind anyway, their most amazing release to date.

The year was 1998. The landscape in the music world was dark and brooding. Refused was asking to get the airwaves back, and Matthew Good Band was slaying society by reminding ourselves how bleak and pointless everything was. It actually remains one of, if not my personal favourite periods in music. Korn was still worthy of respect, Meshuggah was being ridiculous, and The Dillinger Escape Plan followed up to a very technical introduction with one of the most complicated (sonically) albums ever released.

Through all the brooding, doom, and technical insanity, Sloan released a throwback.. Navy Blues is The Beatles in the nineties, but with more coherent lyrics. I will not sugar-coat it: this is a pop album. It stays on my radar by having some of the most interesting and simple drumming I have ever heard.

Between tight harmonies, catchy hooks, and a driving beat, this album continues to bring nothing shy of a smile to my face.

Maybe it is because it is cute¬†and simple that I love it so much. When you have such a fantastic year of really complicated albums coming out, the pop throwback not only stands alone but is more appreciated for not pretending it’s something it’s not.

I won’t bullshit music fans: listen to the album, but realize that it’s not for everyone. Stated again: it is a pop album. It is great to listen to when cruising in a car on a summer day with windows down.

My recommendation is watch the horribly arrogant and hilarious music video I have provided.

Incase you haven’t noticed: I really don’t know what to write about. I felt like bringing this album to light because I feel like it is forgotten in the shuffle. I used to write a fuck-tonne of reviews and highlights like this (only more arrogant) a few years ago. Leave a like if you think I should do more. It’s fun!
Also, I do Canadian Independent Punk reviews over on Mind The Music T.O. most Mondays.

I will have something next week that isn’t just a review. I wanted to do this (it’s been in my head a while).

ALBUMS OF NOTE THAT YEAR:

& You Will Know Us By the Trail Of Dead — ST
(Not their best, but it does mark the beginning of something great)
Board of Canada — Music Has the Right To Children
(Ambience arguably at its best)
Bran Van 3000 — Glee
(Canadian dance weirdness)

I cannot continue this list. I have 33 different albums that I would have to talk about.
You get the idea.