You used to define me…

I was listening to Circa Survive, and worried that I moved on.

I was listening to “On Letting Go”, which is one of my favourite albums. The drums are the most deceiving orchestration, the vocals sore, and the brilliant guitar leads always lead to my surprise. Yes, over 13 years later and I am still surprised every time I play it through. You would think that, by now, I have learned every part.

That album is not my favourite of all time, but it has been high on my list since its release. I would probably put in on my top ten of all time; or, at least, I would have. I was listening to it today, and found myself let down by parts. I was almost bored by it, and found myself tuning out for the first time since I got my hands on the beautiful collection all those years ago.

I got worried that I was just bored of Circa Survive in general, so I immediately put on ‘Juturna’ to find out. By the song ‘Wish Resign‘, I was comfortably back in a state of bliss.

I have no idea why my attention has been taken away from that album. The track ‘The Difference Between Medicine And Poison Is In The Dose‘ was my favourite song for a very long time, and I feel like I have just divorced a part of my life. Maybe I am just being melodramatic, I am finding putting my dismay into text properly very difficult.

Anyway, I had to share that ‘On Letting Go’ has soft-lost a place in my heart. I still really enjoy the album, and ‘Living Together‘ is still a banger. I am almost positive that majority of my reader base doesn’t care, but it really upset me. Knowing that this was more than a FaceBook status prompted me to write this blog, which turned out to be a lot longer than I meant.

Classic Album Review :: Circa Survive — Juturna

I find this album very hard to write about simply because I think that it is very close to perfect. It contains the very definition of musical genius while still remaining absolutely beautiful. Somehow, it defies stereotypical constraints of music cliché’s while staying completely attainable and comfortable.

Listening again to write this review, there is no recognizable hook minus flourishes on guitar. The melody is carried by the intense and soulful vocals, and the driving bass carrying any semblance of continuity. Even the drums, while they do carry a constant beat that does tend to repeat from time to time, define syncopation as they flit from time signature to time signature with a deft hand.

Let’s go back to the vocals for a moment. Anthony Green has a range matched by few. His voice is high. I am challenged to find many with his range. Somehow, it strays from being squeaky or overbearing. “The Glorious Nosebleed“, which is also my favourite song on the album, showcases his possible range beautifully. Though he never gets very low, the jumps in what he can hit are incredible. Especially from the 2:00 mark to the end.

Really, this album and the one subsequent (On Letting Go) I declare as my personal picks. Maybe it’s nostalgia, maybe it’s just the absolute shock that a band like this existed when they did, I will always love them.

Enjoy.