Classic Album Reviews :: Squarepusher — Big Loada

I was initially going to wait a little before I wrote this up, but I could not stop myself. I fucking LOVE this album, and it is a perfect representation of what you can do with digital music.

Few albums have the balls to start on such a frenetic pulse as this one. Come On My Selector is not only a fantastic single, but is such a kick to the face. I cannot even figure out a place to start talking and dissecting in regards to the composition of this song. I will remind you that Tom Jenkinson plays the bass lines himself.

Now, why talk about an album that I have a hard time dissecting when Hello Everything, or even Ufabalum, are much easier to compare to other more commercially accepted things? Because this album defies being appreciated and spoken about. This is my challenge, and I am so very happy and excited to try. I say that, but I am probably just going to talk and talk about how broken everything is then tell you to listen to it.

Like I mentioned, track one is a slap in the face with chaos. Track two reminds me of old racing games on the Super Nintendo mixed with the sounds your car would actually exhibit if you tried to go those speeds. Track three seems like it may be more conventional, then it descends into the depths of madness.

And, might I just remind you that almost all of the bass lines are performed on an actual bass? The time signatures on some tracks change with the bars. Less than Hello Everything, this album is the jazz of electronica. To realize that it is all being composed by one human is mind blowing. To accept that he performs the bass lines himself on a bass is even less fair.

I am going to place the music video below for Come On My Selector. If you think that song is at all interesting, I implore you to at least listen to other songs from both Big Loada and Hello Everything. In particular Bubble Life is a not-fair example of what he can do on bass. ALSDKFNQWOEIFS I love these albums.

Have You Not HEARD? Part II

I realized on Thursday that this was being posted on October first. Happy spook-month, everyone!

This is a series of blog updates where I either remind you of bands you forgot, or show you things you may have never heard before. Every album listed here is one of my favourites, and I will try not to bring up duplicates from other lists I have done.

Bloc Party :: Four
This band confuses me. I am very aware that they are far from the scope of the mainstream (or, were huge at one time, anyway), but no one seems to talk about them. I have been made well aware that they are terrible on stage, but that does not change the fact that Four is one of the greatest albums I have ever heard. Hard-hitting, spiteful, dark, yet beautiful.
Recommended listening — We Are Not Good People

Boards of Canada :: Music Has the Right to Children
Yes, I admit, this is a strange album that not many people would be interested in. It is electronica, but very much background ambience. Brought to you by the same record label that brought Aphex Twin and Squarepusher to the world, this exists in a kind of strange vacuum that could be considered Adult Contemporary, but it is far too strange and fantastic to be degraded in such a way. (I’m sorry if you like Adult Contemporary, just not my thing)
Recommended listening — Wildlife Analysis

Broken Social Scene :: You Forgot It In People
To set the record straight early: I really hope that no one has actually forgot this band. Seriously, when was the last time you listened to this album? Not recently enough is the answer. Interesting Canadian Pop-Rock, with an impressive collection of vocal artists and very talented musicians.
Recommended listening — K.C. Accidental

Broken Social Scene Present: Kevin Drew :: Spirit If…
Strange, honest, jangly… this album contains everything that could be considered great in the early-2000’s Canadian Indi scene. It contains one of my favourite songs ever recorded and, for the last decade since its release, I rarely go a week without treating myself to this forgotten gem.
Recommended listening — TBTF

Dear in the Headlights :: Small Steps, Heavy Hooves
I feel so badly for this band. They were released on Equal Vision in 2005 and were quickly overshadowed by the emo and hardcore movement that was taking place at that time. Ignored by the masses, the world dejected one of the most talented bands to ever grace our planet. Good from beginning to end, please do yourself a favour and give it a fair listen. Do it for you.
Recommended listening — Sweet Talk

Deathmole :: Present Peregrine
This is a fake-not-fake band. Jeph Jaques created Deathmole as a joke in a comic he writes, and then used the opportunity to flex his creative muscles musically. The result is a very interesting take on the Djent genre. As far as I am aware, the drums were all programmed. I must say, he did a fantastic job on them despite that fact.
Recommended listening — Personal Charm

Death From Above 1979 :: You’re A Woman, I’m A Machine
My friend Kevo and I did a rendition of “Turn It Out” for a school pep-rally over a decade ago. The album dropped back in ’04, and I think we performed it ’05? Does anyone remember, or have a link? Was there ever a video taken of this? I would love to see it. That occasion stands as one of the first times I tried to sing and play drums: and I forgot the words half way through. It was awesome.

OH YEAH, THE ALBUM. It is Punk with just bass and drums. Hard, strangely funky, a lot of fun. I don’t put it on often, but I am always happy when I do.
Recommended listening — Turn It Out

Hot Hot Heat :: Future Breeds
Fun. Fucked. Amazing. I love this album. (I just noticed just how much of this list is Canadian, and I am far from sorry about that.) This album is a great example of what you can put in music that will annoy people, yet still do incredibly well at the end of the day. Phenomenal lyrics that hide time and key changes masterfully. Something else I feel like I should mention: the vocals are much less obnoxious than they were on earlier releases. I am not saying that they were bad, back-in-the-day, but they were grating if you could not get behind them.
(secret: if you want to see a drummer cry, get them to drum along to this album. It sounds simple, but it’s noooooot)
Recommended listening — JFK’s Acid

The (International) Noise Conspiracy :: A New Morning, Changing Weather
I will be candid here, I hate this band. In my eyes, this album was fantastic, Survival Sickness had some good tunes: THAT’S IT. You may recognize the singer as being the front man from Refused, but he does NOTHING to that caliber. Not that he should, however. This album is a strange combination of Surf-Rock and Punk: it worked once, at least.
Recommended listening — Up For Sale

Lullabye Arkestra :: Ampgrave
This band is strange. Like, proper strange. Just bass and drums (on stage, anyway), and they were very artsy. The drummer was from Do Make Say Think, and his wife was on bass. They put on one of my favourite live acts I have ever seen. It was awkward, fun, loud, and inviting: you felt like they wanted you there, and everyone else was your good friend. Really recommend listening to a few songs off this album before you jump to a conclusion.
Recommended listening — Unite!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Maximo Park :: A Certain Trigger
This album means more to me than it probably should. I picked it up randomly when I was still working at the music store on a whim. I was immediately caught off guard by how much I enjoyed it. It reminded me of The Smiths, without sounding anything like them. They are one of the tightest bands I have ever heard, and the lyrics are very ridiculous, but still important.

Random personal story: when I was fresh out of the coma, and finally starting to realize the world around me, I identified with the song “Apply Some Pressure” in a morbid way. Something about the way the singer keeps repeating the phrase “What happens when you loose everything? You just start again. Start all over again.” It just resonated with everything that I was and still am going through.
Recommended listening — Apply Some Pressure

(Of course, I would point out the song that keeps the album close to my heart.)

AMENDMENT TO MAXIMO PARK: After listening to “The Queen is Dead” I no longer agree with my Smiths comparison. I do hold true to the fact they sound like that era. The Smiths are their own beast, and few bands will ever be able to recreate that sound reliably.

I am not here to tell you what you need to listen to. I just simply need to remind the world of these artists and/or bands. If you do not love them, as I do, that is okay. I still want to make these exposés every once in a while. As I have stated in the past, I do aim to do a music update at least once a month. I have not done one since June 25th, and I am not proud of that. Please, share this list with your friends. Tell me if you found something awesome, or recommend something that you think I might like!

Stumped.

The single most confusing thing to me is people who expect me to walk who have never seen me walking. It infuriates me to no end, and I am not sure what they are getting out of picturing me walking around. I am as independent as possible and RARELY ask for assistance: so it’s not like I am begging for a hand doing simple tasks.

No. I can no longer drive. Even if I started walking tomorrow, the seizures have made that a fact. I am, however, not driving. I always got myself around and rarely asked for rides. I even avoid making plans to events I know I have only a small chance to get to.

The major thing that I missed from driving was the soundtracks that I concocted to join me on the venture. Yes, I can listen to what I want to when I want to now, but there is something magical about music playing over your actions.