I was initially going to wait a little before I wrote this up, but I could not stop myself. I fucking LOVE this album, and it is a perfect representation of what you can do with digital music.
Few albums have the balls to start on such a frenetic pulse as this one. Come On My Selector is not only a fantastic single, but is such a kick to the face. I cannot even figure out a place to start talking and dissecting in regards to the composition of this song. I will remind you that Tom Jenkinson plays the bass lines himself.
Now, why talk about an album that I have a hard time dissecting when Hello Everything, or even Ufabalum, are much easier to compare to other more commercially accepted things? Because this album defies being appreciated and spoken about. This is my challenge, and I am so very happy and excited to try. I say that, but I am probably just going to talk and talk about how broken everything is then tell you to listen to it.
Like I mentioned, track one is a slap in the face with chaos. Track two reminds me of old racing games on the Super Nintendo mixed with the sounds your car would actually exhibit if you tried to go those speeds. Track three seems like it may be more conventional, then it descends into the depths of madness.
And, might I just remind you that almost all of the bass lines are performed on an actual bass? The time signatures on some tracks change with the bars. Less than Hello Everything, this album is the jazz of electronica. To realize that it is all being composed by one human is mind blowing. To accept that he performs the bass lines himself on a bass is even less fair.
I am going to place the music video below for Come On My Selector. If you think that song is at all interesting, I implore you to at least listen to other songs from both Big Loada and Hello Everything. In particular Bubble Life is a not-fair example of what he can do on bass. ALSDKFNQWOEIFS I love these albums.
For being a fan of music all of my life, I am terrible at listening to it. I usually deconstruct every part, learn lyrics to sing poorly, or use it as a backtrack for writing. Over the last week, I have started to just sit down and let it all happen.
No, it did not revolutionize music for me. Also, if I pointed all the ways that I could listen to it differently would be ironic: I would just be using music as I did in the past. I also will not say that I meditated to it, because that would just be using it as a backtrack again. What did happen is amazing. I just zoned out and let the sounds flow over me. I was able to enjoy music without the distraction of me trying to learn it without learning it.
I guess that comes with knowing six instruments mildly well. I cannot speak for everyone, but I tended to learn the parts without learning the parts. In the past, I would be able to perform songs that I never played along with. Great for pick-up gigs where you are playing covers with a band you have never practiced with, horrible for enjoying something. I tended to get wrapped up in changes. I would avoid things that sounded too much like something else. What I thought was a distaste for a lack of originality was actually a fear of performing an accent or key out of place. I was giving myself performance anxiety without performing.
Self discovery and self exploration are things I find myself doing a lot now. Most people probably look at my discoveries and laugh. They might be embarrassed for me for just figuring that out. Friends might be reading this and saying “no fucking shit you moron” but I feel like my putting this realization out into the world may garnish several other people noticing they do it to.
This thing (rant?) is thanks to me listening to the same channel that I have been listening to for far too long now. It is available 24/7 so I just put it on whenever I want to listen to something but not get distracted by it. It was through that thought process that I gradually deconstructed the way I listen to music and came to that startling discovery
Today I feel like highlighting an album that I have owned for a long time, but only recently gave the proper listening to. Beautiful. Haunting. Amazing. This duo is brilliant at what they do. I will admit, this album is only recommended for the minority. Listen to it first before committing to buying.