Classic Album Reviews :: Squarepusher — Big Loada

I was initially going to wait a little before I wrote this up, but I could not stop myself. I fucking LOVE this album, and it is a perfect representation of what you can do with digital music.

Few albums have the balls to start on such a frenetic pulse as this one. Come On My Selector is not only a fantastic single, but is such a kick to the face. I cannot even figure out a place to start talking and dissecting in regards to the composition of this song. I will remind you that Tom Jenkinson plays the bass lines himself.

Now, why talk about an album that I have a hard time dissecting when Hello Everything, or even Ufabalum, are much easier to compare to other more commercially accepted things? Because this album defies being appreciated and spoken about. This is my challenge, and I am so very happy and excited to try. I say that, but I am probably just going to talk and talk about how broken everything is then tell you to listen to it.

Like I mentioned, track one is a slap in the face with chaos. Track two reminds me of old racing games on the Super Nintendo mixed with the sounds your car would actually exhibit if you tried to go those speeds. Track three seems like it may be more conventional, then it descends into the depths of madness.

And, might I just remind you that almost all of the bass lines are performed on an actual bass? The time signatures on some tracks change with the bars. Less than Hello Everything, this album is the jazz of electronica. To realize that it is all being composed by one human is mind blowing. To accept that he performs the bass lines himself on a bass is even less fair.

I am going to place the music video below for Come On My Selector. If you think that song is at all interesting, I implore you to at least listen to other songs from both Big Loada and Hello Everything. In particular Bubble Life is a not-fair example of what he can do on bass. ALSDKFNQWOEIFS I love these albums.

Classic Album Review :: Alexisonfire — Self Title

I just noticed that this album was almost 20 years old. I was in grade nine when then came out, I was just discovering scremo/emo, ska, and skate punk, I was very embroiled in the metal scene. Then, when watching some music video program way too late at night, I saw the debut for Pulmonary Archery. I did not get it, but Holy Fuck I loved it.

What’s absolutely brilliant about this album is how simple everything is if you remove the guitars. Yes, the guitar lines are incredibly ornate and demonstrate what can be done in punk music, but everything else is simple and fantastic! The bass drives the songs and keeps the structures attainable, the drums do little more than drive the beat, and the singing is just simple enough to get melodies trapped in your head forever. Even the screams are perfectly placed to ensure that you notice them.

Now, let’s get back to those guitars.

My prime example of how incredible the guitars are is the song Counterparts and Number Them. The parts individuly, though weird, are not difficult. The impressive part is in knowing they were ever not entwined. They bounce between being lead and rhythm every bar, and they never leave the listener bored. The best part about the guitar is that nothing, not even the drums, cast the dullest shadow.

There is something magical about how simple the drums are. They just compliment the music and never become overbearing. I think every not-real drummer in my high school could play Pulmonary Archery. Not as a slight! It just leant itself to being replicated.

Now I sound like an arrogant asshole so MOVING ON.

I started to write this, decided against it, and then discovered that they were inspired by Quicksand. I love that band to no end, but never hear anyone talk about them. I was forced into writing this because of that fact alone.

Seeing as there has been nothing this hard hitting in the punk-scene since Refused, and this is a fantastic tribute. I recognize that there have been other near-hits in regards to this sound, but nothing is near as iconic.

A decade in review…

Thank God I don’t work in a music store any longer. Not that I didn’t love it, but this task was stupid hard.

As you may have noticed, I posted a recommended media for the year and NOT a music list this time because I was lacking in new releases for the last year. I only had one, and though it was amazing, it doesn’t make a whole list.

I decided to do a decade long list. Recommendations that have come out in the last decade: break it into years, and that equals ten! That sounds like a good idea right? RIGHT?!

Wrong. There are several albums that I go back to over and over, and there are multiple years that, though they had a few good releases, don’t hold my attention.

With much blood (and tears) I managed to get my list down to 50ish. I picked the best release that a band had that decade, which is harder than you might think. Some of the bands had a good portion of their discography come out during this time! So, instead of doing an in-depth dive into what makes each album amazing, I’m going to try to sum it up in a sentence or two, and link to a good (if not the best) song from each album.

BEFORE I START THIS LIST! I am so sorry for any advertisements that play at the beginning of songs. I tried as hard as I could to find ad free versions, but I was unsuccessful most of the time.

HERE WE GO

Adam Evers — Moments
You have heard me done on and on about this EP over the last couple of months. It belongs on this list for many reasons. Read my full review here.

Balance & Composure — Separation
A grunge throw-back. I saw them open for Touchè Amourè a few years ago, and fell in love.
Song: Void

Bloc Party — Four
What pop-rock can be. The classiest vulgar that you can find.
Song: We Are Not Good People

Boards of Canada — Tomorrow’s Harvest
Ambient electronica. Incredibly peaceful and beautiful. Sounds like the tracking from a ’70s movie, and it’s amazing.
Song: Reach For the Dead

Broken Bells — Broken Bells
I love this album. There is something enchanting about it
Song: The High Road

Cage the Elephant — Thank You, Happy Birthday
It’s a shame that this album wasn’t bigger. I would argue that it is one thousand times better then their first, but the public has spoken.
Song: Always Something

CFCF — Radiance & Submission
Two ambient electronica albums in one list? I’m loosing my edge! In my defence, this one is French
Song: In Praise of Shadows

Chon — Grow
NO ONE SHOULD BE THIS GOOD AT INSTRUMENTS. PERIOD.
Song: Splash

The Contortionist — Language
What the latest Tool should have been. Complicated, but not unattainable. Absolutely beautiful.
Song: Intuition

Counterparts — Prophets
I’m going to be that guy: I played with them around the release of this album. Nicest. Guys. Ever.
Song: Goodbye Megaton

Crosses — Crosses
Deftones without Deftones. Very different from Team Sleep, though the same idea.
Song: Option

Cursive — I Am Gemini
I have trouble putting how I love this album into words. Smart, but not arrogant. Self deprecating, but not pathetic.
Song: Twin Dragon/Hello Skeleton (I really love from the 4 min mark on)

Dead Weather — Sea of Cowards
I was a moderate White Stripes fan, and I never listened to The Kills before this came out. This album, turns out, to be a great blend of the two. Cool drums, as well.
Song: Die by the Drop

Deerhoof — vs. Evil
Just cool. Oh, and fucking complicated. It is truly amazing what you can do with music, and this band proves it time after time.
Song: The Merry Barracks

Deftones — Diamond Eyes
Not their best, but far from their worst. Almost didn’t make the list, but it has my third favourite Deftones song on it.
Song: CMND/CTRL

Die Hexe — Die Hexe
This was a surprise that I didn’t realize that I needed in my life. Might be one of my favourite albums of all time.
I reviewed this one, as well.

The Dø — Shake, Shook, Shaken
Just a good ol’ pop album! So damned catchy, so damned cool!
Song: Despair, Hangover and Ecstasy

Fall of Troy — OK
I am going to try to describe this without swearing, so I will just say that it’s the best album they have released since Doppelganger. I’m not going to say their best, but very close.
Song: Inside Out

Hail the Sun — Wake
WHAT DO YOU MEAN THE DRUMMER SINGS? Think Mars Volta meets Circa Survive… BUT ADD A SINGING DRUMMER!
Song: Human Target Practice

Heart & Harm — Damage
Think A->B life by mewithoutyou. Now, forget that.
Song: Damage

Hot Hot Heat — Future Breeds
Such a good departure for this band. So many interesting takes on music but without reinventing the wheel.
Song: Times A Thousand

Invent, Animate — Everchanger
A more intense (better?) Misery Signals.
Song: Nocturne: Lost Faith

Kennedy — The Guilty Poor
The album opens with a monologue from 1984. It sets the mood for the entire album.
Song: Stillborn Believer (any album that opens with a monologue from the 1984 film automatically wins)

Livestalk & the Bodies
Okay, I put one of the albums I performed on this list. To be fair: it’s here because the rest of this album is amazing which does not have me.
Just go listen to the whole thing.

Melody’s Echo Chamber — Melody’s Echo Chamber
Psychedelic and ’60s sounding. I don’t know why I went through this phase where everything had to sound old, but I’m happy I did.
Song: Quand Vas Tu Rentrer?…

Minus the Bear — Infinity Overhead
Not my favourite MtB album, but Listing IS one of my favourite songs of all time.
Song: Listing

New Design — Far From Home
I was contacted to review this album around its release. I was not prepared for how good this group is. Also, they remind me of what emo was when I was in high school,
Song: I’ve Never Seen the Ocean

OK GO — Of the Blue Colour Of the Sky
I was on the fence if I was going to include this album, then I realized that there is nothing quite like it. Don’t get me wrong: I love this album, it just doesn’t quite measure up to the one prior.
Song: WTF

Periphery — Periphery
Never has a band started so strong to end up so pathetic. At least we will always have this banger of an album!
Song: The Walk

Rah Rah — Breaking Hearts
Probably one of the best bands that I have ever seen on stage. This album is just so damned cute!
Song: Henry

Ratatat — Magnifique
I hate everyone for not telling me about this album when it was released.
Song: Cream on Chrome

Regina Spektor — What We Saw From the Cheap Seats
There seemed to be this time in music where there was an influx of “girls-sining-and-playing-piano.” We are past this time, and this was actually a pleasant surprise. It doesn’t help that she comes off as incredibly condescending.
Song: All the Rowboats

Respire — Gravity & Grace
Metal and trumpets? Yes: metal and trumpets.
Song: Ascent

Samsaris — Samsaris
Sick of me banging on and on about this album yet? TOO BAD! I loved it when I picked it up, and I still love it to this day! I want to compare it to Bjork? But that might just be because of the Iceland comparison.
Song: Goda Tungl

Sigur Rós — Kveikur
SPEAKING OF ICELAND! Haunting. Incredibly beautiful. Heavy lyrically without me even looking into translations. Even if I found out that he was talking about how much he loved petting dogs, it would not change the fact that the first time I heard the first track, I almost cried from the intensity.
Song: Brennisteinn

A Silver Mt. Zion — Kollaps Tradixionals
I BUILT MYSELF A METAL BIRL I FED MY METAL BIRD THE WINGS OF OTHER METAL BIRDS…
If those words intrigue you in the slightest, I found your new favourite album.
Song: I Built Myself A Metal Bird

Sleigh Bells — Treats
What happens when you cross metal and pop? Something beautiful yet horribly disfigured, and I love it.
Song: Infinity Guitars

Slender Loris — World Tour
I am proud of myself for not loading this list with friends releases, but this is one of the greatest albums I have ever heard of ever.
Song: (not as hardcore as) Dismantle

Squarepusher — Ufabulum
I hate that I love this album so much. It’s electronica. No other caveats there.
Song: The Metallurgist

Stayce — Huck Dunter
When I was writing for Mind the Music, I found so many great albums! This is another one I came across in my short-lived travels on that site. Grunge? Not really. I don’t really have a category for them.
Song: Basement

Structures — All the Above
Still have a hard time trying to figure out some of the drum patterns. I gave up trying to learn it a while ago, but it would bring me much closure if I could AT LEAST FIGURE OUT WHAT HE IS DOING!
Song: Still Waters

Sufjan Stevens — Age of ADZ
Neat. Just, neat.
Song: I Want to be Well (personal anthem)

Title Fight — Shed
One of my favourite punk albums of all time.
Song: Shed

Tokyo Police Club — Champ
I do not have an excuse why I love this band so much.
Song: Bambi

Tom Vek — Leisure Seizure
This guy cannot sing, but his attempts are what make this album so amazing.
Song: Aroused (WARNING: If you smoke or DID smoke, this video will drive you nuts)

Touchè Amourè — Parting the Sea Between Brightness and Me
Some of the best lyrics that you will find ever. It really didn’t help that they are really nice guys who just love music.
Song: Home Away From Here

Vampire Weekend — Contra
Do you have an album that you love and you don’t know why and when people ask why you have so many plays on it, you hesitate to tell them it’s because you love the album dearly? Yeah, that’s my relationship with this album/Vampire Weekend in general.
Song: Giving Up the Gun

xx — Coexist
Minimalist, haunting, beautiful. There permeates a feeling that something is something horribly wrong, and it makes the album feel like a movie*.
*might be why the songs are featured in a few films and TV shows from that year
Song: Fiction

65DAYSOFSTATIC — We Were Exploding Anyway
This is the band that I wish I created when I was in high school. Stupid talented and imaginative. I love this band.
Song: Dance Dance Dance

Again; sorry for any ads that may have bombarded you. I tried to pick my favourite songs, the Melody’s Echo Chamber probably being my favourite of the last decade. Though I do recommend listening to all of these, I understand that it is a lot. There is enough for one a week, though!

Classic Album Review :: Arab Strap – Elephant Shoe

Fuck, I love this album.

REVIEW OVER

I play: this album is pretty well of opposite of what people think I would be into. Not only is it primarily acoustic, the vocalist has a thick Scottish accent which makes it sounds like he has marbles in his mouth. What gets neglected is just how perfect it fits cold days sitting in front of a computer screen.

As always, my favourite track is the opening song, Cherubs. I opens with a very digital kick drum accenting the two and four beats of the measure. The majority of the song is carried by an almost etherial acoustic guitar and a ghostly piano line that dance gracefully over the vocals. Maybe it’s because of how almost stereotypical the accent is, but it feels like someone narrating over a dreamscape.

I cannot hear a bass in most of the album. The low end is filled by the guitar, and it is a risk that pays off. The almost minimalistic approach maintains a dream-like quality to every track. This is accentuated by the playing with structure.

Though it can be argue, the songs on this album seem to buck traditional organization in favour for an almost natural feel. Parts repeat when they don’t seem to have rhyme or reason to, other parts that feel like there should be a reprise with never return. It can either be frustrating or liberating. In some ways, I feel like it’s the best part. The feel of this album is the main selling point, and the incomplete frustration that occurs almost adds to it.

As mentioned, Cherubs is my favourite track. However, I cannot say that any song is not worth a listen. A few songs elaborate on the fake drums, which never detract from the music by the way. I actually appreciate the fact that the members knew that they were not able to perform the drums. That way, the hits are perfect for what needs to be played.

No one seems to know of this band. If you like this album, I recommend whatever you can find. I admit, I have done little research into this band before today. I can confirm that they get more elaborate with later albums (like how their is a full band on “The Last Romance”) and the structures remain somewhat the same.

Of course, I cannot mention this band without bringing up my friend Adam Evers and his EP that he released earlier this year (2019). Fantastic release that needs all the attention in the world.

2019 :: In Review

I don’t have a best album list for the year. I only one EP from the year, which was released by Adam Evers. Though it would end up in my top for the year if I had more, I feel it would be in bad taste if I tried to do a “best of” for the year with such a small sample size.

I might do a “best of decade” list in the new year, but that is not my focus right now.

In the last year, I have produced a couple of my favourite pieces of writing. That includes “Martha.” as well as “Alone.“. It’s coincidence that I decided to put “.” in both names, but it’s fitting that my personal favourites were both accented by periods. “Martha.” has a sci-fi theme and explores memory, time, and trust. “Alone.” is a dystopia-style enigma that is a little more forward in it’s delivery, but has to do with trust again.

Over the last month, I have been dealing with Friessen Press again to repress You’re Not Dead and add in some additional content. I have not firmed a release date as of yet, but it will contain a revised version of You’re Not Dead (with a lot less stupid grammar errors) as well as several anewsin stories. This also includes a couple of new stories that will not be on this site, and the few people that I have had read it over have agreed that they are good.
Just for fun, I also punctuated each chapter with a Depressing Fact, things along the lines of “You will die.” and other… fun… things of that nature. I was asked by one person if there was a point to the piece, and I simply replied with something along the line of refreshingly true.

They did not find that as funny as I did.

I also forwent the idea of updating this blog once a week! So far, I have noticed a bump in stats (obviously) but also a bump in retaining readers for more than just the one update! Thank you all, so much, for staying interested in what I have on my mind.

For things I have watched, Bojack Horseman continues its voyage in being one of the most depressing, yet funniest, things I have ever watched. That, in combination with Archer 1999, it has been a great year for cartoons.

(To be clear: it was not my favourite season of Archer, but it was very good. Especially if you like the deviation they have been taking for the three seasons prior.)

For things that I have never heard anyone talk about, check out Final Space. It continues that rabbit hole of being hilarious shows that are dark. Think Battle Star Galactica mixed with Invader Zim. The second season came out this year, and it contains a few of my favourite lines ever put into a show, but also contains some of the most bleak ideas that you will ever find in sci-fi. Do yourself a favour and start this show from the start. Then thank me. Then watch it again.

For games, I have been a complete and total wallflower this year. My attention has been on watching Kojima releasing Death Stranding and people not knowing what to do. I have been watching an almost resurrection in the popularity of Minecraft and wondering why, and I have been laughing probably too hard at the remaster of every game from my past. Though gaming has taken a back seat for myself over the last year or two, I still look in to witness where the industry is going. I use it as kind of a meter for society as a whole. Not so much on a micro scale: I don’t see them as one-to-one. More as evidence to see where mindsets seem to be.

Anyway, this ramble is complete. I’m mostly happy with these recaps of what I noticed, but if I missed a category, let me know! Though a year is just a blip in the grand scheme of things, it feels long at the time. For instance, it has been three years since my book came out, two years married, and six years in a wheelchair! My leaping fuck time moves strangely!

Classic Album Review :: Kittie — Oracle

I don’t know why I got this album in my head. I was wheeling through my kitchen humming the chorus for What I Always Wanted when my wife, being rather concerned, asked what was wrong with me. The awkward thing is that song is not the only one on the album with singing, but has the least interesting pattern to get stuck in your head.

For being from London, Ontario, this album still scratches an itch that only a few bands can. I hesitate to call it Nu Metal, but it did come out around right around Untouchables by Korn (predating it by a year). Really, a better comparison is The End of All Things to Come by Mudvayne with less “David Bottrill” in the whole sound area.

Very simple guitar and bass. Almost too much (in a good way) drums. Vocals that pierce every inch of your soul. Beautiful singing. To be honest, that is why I have gone this long with never bringing this band up before. I love them, the first 3 albums anyway, but that is literally all I have to say about them.

If you just want something heavy, yet beautiful (in a broken way), you can do MUCH worse. They do the early ’90s sound yet still remain relevant. I mean, Mudvayne and Korn are my only (halfway) decent comparisons, and they really don’t describe this band at all.

Oracle is amazing. Spit and Until the End are good, but a bit more particular. They have one more album, but I hated it.

Personal note: don’t y’all enjoy how I am like “BYE SEE YOU NEXT YEAR” and then publish a review in the same week? I am going to not be doing blog stuff, and I am only going to be writing about music you should check out. I say that not expecting anything fascinating to happen in any other regards this year. I might be wrong.

Radiohead.

Radiohead is one of those bands, you know what I mean? That band that you like to tell people can do no wrong, meanwhile they have released 3 albums that, at the very least, underwhelmed.

Before I continue, this is less a review of the career of this band and more of a personal reflection. If you could not tell from the intro paragraph, I am biased. There are some fantastic documentaries about parts of their career (Meeting People is Easy is a personal favourite) so I won’t even pretend that I could do such a monumental task even the mildest justice.

The first album (Pablo Honey) came out in 1993. I love parts of this album, and couldn’t care less about others. The Bends (released 1995) is pretty well the same tale. I would say that I like more of this album, but it still just seems to be holding onto the early ’90s grunge aesthetic. I am not complaining for that reason, but more that I came in much later into their career and therefore had certain unfair expectations.

OK Computer from 1997 was life-changing for me. It was the first exposure to the band that I had, and I hated it upon first listen. Looking back, I hated it because I couldn’t understand it. It took about 2 years from its debut for me to actually grasp some (not all) of the nuance and beauty that this album held. The complexity of Johnny Greenwood’s guitar riffs in contrast to the simplicity of Phillip Selway’s drum patterns did not make any sense to me before I was about to enter high school.

Kid A and Amnesiac (from the year 2000 and 2001 respectively) changed everything for me. I finally understood OK Computer, then I watched the video for Pyramid Song. I loved that I didn’t understand it. I didn’t find out the time signature for at least five more years. They started to experiment with a more digital production, using computers and drum machines in addition to more contemporary instruments. The juxtaposition was astounding to me.

Hail to the Thief came out in 2003. I first heard it when I borrowed the album from a good friend of mine, and HATED it. I found it arrogant and winey. Well, I did the first time through it. I went to give it back, she forced it back into my hands and told me that I just need to give it another chance.

Thank you, Cristine. Your forcing me to listen to it has secured it into the pantheon of albums that I will never be rid of.

I fell in love with it simply for the first song, 2+2=5. When I actually gave it the chance it deserved, that song blew everything I thought about music out of the water, and left me weeping uncontrollably while I clutched my copy of 1984 in my left hand and wrote my will with my right.

Melodramatic? Might I remind you that I was a senior in high school at the time? I never took drama, but I deserved an award for being one of the most dramatic people that ever lived. Hell, if I knew who I was back then now, I would actively avoid me.

I digress. I was a certified Radiohead fan by the time In Rainbows came out in 2007. I was playing in a grunge/punk/metal band called All Cut Up, and we were all fans of any sort of music that would change the way we looked at life. I distinctly remember this album coming out because my guitar player and I got it release day then avoided each other for 24 hours to digest what we just purchased.

It was amazing. Even the slower songs (like Videotape) had enough depth to keep our little minds attentive.

That’s where I think Radiohead should have ended. I know of one more released, call A Moon Shaped Pool (2016), and I hated it. It was boring.

While writing this, I have been listening to random tracks from random Radiohead albums. I can still remember where I was when I first heard every single one of them. Either in my parents activity room, on a school bus, or organizing stock at work.

I just stuck to the main releases. There are many singles and EPs that have importance, but they deviate so heavily from the overall narrative that the albums create. I cannot say I recommend all of them, but definitely give Talk Show Host a listen.

Music Review :: The Contortionist — Language

No, this is not a classic review, as I often do. Today, I want to bring light to one of the most interesting albums to come out in the last 10 years.

Language is a beautiful album. It contains playful guitar lines, crushing bass, deft drums, etherial keyboards, and one of the most magical juxtapositions of vocals you will ever find.

Actually; let’s start the review with the vocals, for once. The singer has one of the most angelic voices you will find in music, let alone metal. When he sings, it is with one of the most pure tones you will ever find. He hits the notes with clarity only found in top-40’s pop, and he maintains notes for a substantial amount of time. Not since Tool have I found a more talented singer.

Where he gets very interesting is now he switches (at times, in a bar) from the voice of an angel to a daemon. His growl is brutal, Earth-shattering, and chill-inducing. What is beautiful about this album is that he never sticks to one style for too long. In fact, you do not even hear the growl until almost two minutes into track two.

Language part two (track three) opens with one of the most interest flows. The time signatures make little sense if you do not count them actively. The kind of chaos continues for the first minute, then moves into a sort of lull, where the focus seems to be places more the strings than anything else. Near the two minute point until the vocals kick back in, and singing does not return for another 30 or so seconds.

Okay, let’s go back to what I consider to be the most important part of most bands: the drums.

Not only is this possibly my favourite drummer in modern music, the choices he makes in relation to the music is perfect. It truly feels like the drums are another instrument, unlike other pieces where the drums feel like they are there because that’s what has to happen. Think Danny Carey meets Chris Pennie*, and you get a kind of feel for what he’s doing here. Ghost hits and polyrhythms litter the entirety of this album. I have listened to this collection for about a year at this point, and I am STILL discovering parts that I previously missed.

Why do I bring this now? I bring this album to the attention of those who care because this is what the new Tool album should have been more like. 12 years working towards releasing a spiritual rehash? I love Tool. In fact, until recently, they were my favourite band. The long waits, couple with the underwhelming releases that come at the end of the long waits, really ground my admiration with the band to the quick. Do I hate them? Far from. This sort of revelation just implies that I am going to be very critical of everything that they do moving forward.

*Danny Cary and Chris Pennie are Tool and The Dillinger Escape Plan respectively. This comparison will anger some, but I feel that it is just. Have a better comparison? Let me know.

No.

I have been stewing over this topic for days. The idea that you can do anything if you try hard enough, you can make it. I hate this concept, and I want to fight it to the best of my ability. The wall I hit, however, is that I cannot dispute the necessity of trying regardless of end position. If you work hard, you will be compensated. If you do not work hard, you will be repremanded. To assume that it just takes time and elbow greas to make it somewhere can actually be both heartbreaking, and damaging to standing in the greater endevour climate.

I spent over 10 years in bands trying my hardest to make it. There was a constant climb upwards in the scene, do not misunderstand my points, but I always put out multiple times what I made. I offset any sort of financial downfall with jobs. I did music because I loved it and needed to do something creative. I never had any illusions that I could live off of it, though it was an end goal.

That unfortunate reality goes for any artistic doing. You can try, you can succeed, and you can fail. Sometimes, all three in the same week. To assume that you are going to make it big is dangerous. It does happen, but it does not more often. There are so many things at play when considering a career in the arts, and doing one thing is often not the path to go down. To assume that if you just write that one song that everyone will love and you’ll be fine is actually a safer bet than believing that your band will do gang busters.

Another way to look at it: I was a drummer. That means, that under copyright laws in Canada for a musical composition, I had rights to the recordings of my drums. If the primary song writers could rerecord my drums without my knowledge, they could have stripped me of any financial rights. Lucky for me, I played with collections of stand-up people who never even thought of doing things like that. Instead, we kept playing. Getting gigs whenever we could, going on short tours, recording albums out of our pockets, and not eating.

10 plus years of that. Now, three years writing. No money made, but a fuck-tonne put out. That’s part of why I opened up the Patreon. just $1 a month gets you a subscription. That means you get a list of your name on this site, plus you get ansP releases about a month before anyone else in a fancy PDF! Hell, if you donate $10 a month, you get the pleasure of knowing that I consider you a fantastic human being and I will love you for a very long time! Your name gets put on the list with a little note of FANTASTIC put beside it. Even if you cancel your donation, or lower it, that denotation NEVER goes away!

Found Footage

Filmed by
Allastair Keddy

The bass player in this footage came over today. I have seen him once since I got out of hospital, and that was two years ago. It was nice to see him. He filled me in that this exists. Minus the sound quality, it is actually decent footage of this show.

The premiss was that we had to cover a band that influence us. I was never a huge Underoath fan, especially no the album these songs are from, but I was concede the fact that they were a huge musical influence on what we did.

The last song was original.

I hope you enjoy!