Music Comparison :: Pretty Girls Make Gaves v. Mars Volta

I am not saying these two albums are one-for-one. In fact, I am not even saying that they are remotely the same. I am claiming that fans of one can find something to appreciate about the other.

The Mars Volta seemed to come out of nowhere. Unless you were a fan of Sparta, these two seemed that they came from a cave and released probably one of the most original albums of that time. De-Loused in the Comatorium was a force to be reckoned with from the ambient track one right through until the end of track ten. It is kinetic with how involved every instrument is placed. Nothing feels like an accident. The mix is beautifully orchestrated. It’s hard to discuss this album without diving headfirst into individual tracks and dissecting the music theory knowledge involved. I mean, the ending of track one (bleeding into track two) changes time signature nine times on top of simple standard time time. The album then launches into a chaotic 3/8 and then does not let up until track nine.

Pretty Girls Make Graves (hearbye known as PGMG because I’m lazy) evolved out of the emo scene in the early 2000’s. They take elements of punk and mix it with almost art-house/ambient rock. This album stays pretty well in the same energy level through most of it. None of the instrumentation sticks out, particularly. What makes this album so incredibly important is how much it impacts the listener. I know very few people who have heard this album that have not loved some part of it. The vocalist sings over a calamity of orchestrated noise that has a purpose to lull the listener into a sense of pure bliss. Though Èlan Vital is not their first, or last, album, it remains one of my favourite albums of all time.

De Louced in the Comatorium is the Mars Vota’s first full length, though they had a very decent EP prior to that. There is not a lacking member on the record. Flea from the Red Hot Chili Peppers is on bass and he is (arguably) the weakest member of the crew. This album feels like you are listening to a performance instead of listening to an album.

Èlan Vital is, in comparison, very simple. They share aspects of the same ethereal plain, but they do not have much more in common where instrumentation comes into play, except for their use of onenote progression used several times in both recordings.

Now, I am positive there is a music theory reason for this progression. It probably dates all the way back to songs of olde. Back when the progression was far from news and, instead, was used by every minstral from here to Eden.

However, this is not the time of olde. This progression is not used often any longer, and I hate that I don’t know enough to give a name to it. It’s a huge part of Bullet Charm (which is the PGMG song I am going to link below) and is very prominent in the song “Eria Tarka” from The Mars Volta. This note progression, plus the emphasis on ethereal soundscapes, makes the comparison between the two bands more apt.

I made a big deal about track nine on De Loused in the Comatorium then dropped it! The song is Televators, and was the first song I had heard from the band. It is also acoustic and has little to do with the rest of the album. Even though it has little to do with the rest of the album, it will still be the track I place for Mars Volta below.

I’m not going to lie, a big part of why I wrote this is just to have an excuse to listen to these two albums over and over again for “research”. Also, I feel like PGMG have vanished from the collective consciousness, and any excuse I can find to talk about them feels important.

I’m posting this being well aware that I am going to get a bunch of shit from people saying how I’m wrong.

Music Review :: The Light in the Ocean — The Pseudo​-​Scientific Study of Oceanic Neo​-​Cryptid Zoology

So, it appears that this week is the week of silly long names for albums. I like it! It’s a fun way to explore the many facets of english.

TLITO is a band that I know very little about. My friend Jacob is the drummer, and they are experimenting with Djent and Jazz in a new way.

Well, I say new, but I promise that someone somewhere has done this kind of combination before. The question arises, however: is it as good?

This album is a beautiful combination of everything that you can do with music. It is complicated, but not unattainable. It is silly, but not cringe worthy. Parts are the ’80s power metal progression without the cheese.

Okay, what do I mean by “silly but not cringe worthy” you may be asking? There is a song that the lyrics are using He-Man and The Masters of The Universe as the bases. I pointed out how silly that was to Jacob, and he replied with an explanation of how the video will have 4 unicorn costumes.

AM ALOUD TO EXCLAIM HOW AWESOME THAT IS?

I think my favourite part of the instumentation is that the drums feel “floaty” but never off. It’s a weird thing to point out, but I feel it is important to point out.

What do I mean by Floaty? Everything is on beat, don’t worry about that. Where you would find very exact drums in such elaborate compositions, the drums sit at the back of the “pocket.” Thus, they are not (even remotely) off, but they give this very relaxed feel. Thus, my descriptor as floaty.

I will try not to gush too much. This is quite the expression of musical exploration. I am so happy that this exists.

Bandcamp || Spotify

Music Review :: FbcFabric & Reindeer — It’s not who you know, it’s WHOM you know

Yes, I am doing a music review anyway. Why? Because I’m listening to this album for the first time in a while and I cannot fathom NOT knowing this album. Plus, I am remembering just how important some of the lyrics are in regards to capitalism and consumerism.

This is my perfect hip-hop album. The tracks are all minimalist beat tracks. It adds to the lasefare tone of the vocalist in ways that I cannot articulate. His lyrics are cutting, sharp, and almost vindictive. There is no swearing, which adds weight behind his message.

I saw Reindeer by accident in Guelph with my friend Joel. We went to a hip hop show, to which I have only been to one. Independent hip hop is actually more intimate than any independent metal or punk show that I have been to. There was an admittedly small crowd of only 25 or so people, and the stage was just an idea mic’d up at one end of a bar (cafe?).

The performers were all over the map. There was one gentleman who was clearly just apart of the scene because of the poetry of the lyrics, there was a duo who loved the idea of mainstream hip hop, then there was Reindeer. He stumbled his way on stage, in a way that I cannot discern if it was showmanship or if he was strung out on something or REALLY drunk.

Regardless of what he was, the show he put on was magical. He didn’t miss a beat. I couldn’t imagine being the only one on stage. Even if the crowd was small, to recall lyrics with meaning, even if the meaning is explicitly personal, is unfathomable to me.

It was more than a show, and more than a concert. It was a performance.

I remember not having money for any merchandise, so I borrowed Joel’s CD for probably way too long. Think Massive Attack mixed with Gorillaz, and that an okay comparison. I have not found something so original or pure my entire life.

Classic Album Review :: Kill The Lights — Buffalo [of] Love

I have wanted to share this album with as many people as I could, and FINALLY someone put it on YouTube, so now I get my chance!

I saw this band back around the release of this album. They were awkward and it was amazing! Not only is the drummer one of the fastest drummers I have ever seen, the nuance and intricacies of the music blew me away. As I mentioned, I saw this band back when this album had been out for not a year, but they made playing these songs seem effortless! I was floored.

Okay, I need to make my amazement seem a bit more warranted. I had never heard of this band before. Like most independent bands in Canada, they were over shadowed by the bands that got huge around that time, whether it was deserved or not. Since this band was from Montreal, the French part of Canada, they got little to no attention from even the circles they belonged to. This is a fact that KILLS ME, but it hurts me even more because I understand it.

What this band did that few other did was combine disco, indi-pop-rock, and jazz. It sounds like an unpleasant mess, but a few notes in, one awakes to the fact that it works in the most inappropriate way.

Did I mention the part about the drummer and how I rate his one of the fastest I have ever seen? If I had not have seen them live, I would swear the drums on the album were sped up or manipulated. To add insult to injury, he is the least impressive looking man. Not that musicians have a look, but you would pass him on the street minutes after seeing them play. I only bring that up because it was actually STRANGE to see someone who looks so… well… plain!

I digress, love this band. I mean, LISTEN. Well, and love. There is something endearing about them that makes you fall in love with the almost-off-key squeals and almost-not harmonies.

Little side note: there seems to be some conflicting reports on if the album is Buffalo of Love or just Buffalo Love. That’s why I put the square brackets in the title.

Album Review :: Samaris — Samaris

I know that I have talked about this album before. It has been a while, though: so I will take this opportunity to talk about it some more!

I think even if I was to limit myself by genre, I would find a way to shoe-horn this release into that list somehow!

Think hip-hop with a live clarinet. Confused? GOOD!

This album was a literal random buy on my trip to Iceland that I enjoyed with my brother. We missed seeing them by a matter of days, which bothered me when I finally got to listen to this album in all its splendor.

This album is both incredibly beautiful, and incredibly haunting. Very synth and vocal based, which makes the clarinet stand out even more. The voices (though in Icelandic) lull the listener into a trance. The harmonies are perfect. This album is perfect. If you haven’t listened to it in its entirety yet, DO IT!

Classic Album Reviews :: Squarepusher — Big Loada

I was initially going to wait a little before I wrote this up, but I could not stop myself. I fucking LOVE this album, and it is a perfect representation of what you can do with digital music.

Few albums have the balls to start on such a frenetic pulse as this one. Come On My Selector is not only a fantastic single, but is such a kick to the face. I cannot even figure out a place to start talking and dissecting in regards to the composition of this song. I will remind you that Tom Jenkinson plays the bass lines himself.

Now, why talk about an album that I have a hard time dissecting when Hello Everything, or even Ufabalum, are much easier to compare to other more commercially accepted things? Because this album defies being appreciated and spoken about. This is my challenge, and I am so very happy and excited to try. I say that, but I am probably just going to talk and talk about how broken everything is then tell you to listen to it.

Like I mentioned, track one is a slap in the face with chaos. Track two reminds me of old racing games on the Super Nintendo mixed with the sounds your car would actually exhibit if you tried to go those speeds. Track three seems like it may be more conventional, then it descends into the depths of madness.

And, might I just remind you that almost all of the bass lines are performed on an actual bass? The time signatures on some tracks change with the bars. Less than Hello Everything, this album is the jazz of electronica. To realize that it is all being composed by one human is mind blowing. To accept that he performs the bass lines himself on a bass is even less fair.

I am going to place the music video below for Come On My Selector. If you think that song is at all interesting, I implore you to at least listen to other songs from both Big Loada and Hello Everything. In particular Bubble Life is a not-fair example of what he can do on bass. ALSDKFNQWOEIFS I love these albums.

Classic Album Review :: Alexisonfire — Self Title

I just noticed that this album was almost 20 years old. I was in grade nine when then came out, I was just discovering scremo/emo, ska, and skate punk, I was very embroiled in the metal scene. Then, when watching some music video program way too late at night, I saw the debut for Pulmonary Archery. I did not get it, but Holy Fuck I loved it.

What’s absolutely brilliant about this album is how simple everything is if you remove the guitars. Yes, the guitar lines are incredibly ornate and demonstrate what can be done in punk music, but everything else is simple and fantastic! The bass drives the songs and keeps the structures attainable, the drums do little more than drive the beat, and the singing is just simple enough to get melodies trapped in your head forever. Even the screams are perfectly placed to ensure that you notice them.

Now, let’s get back to those guitars.

My prime example of how incredible the guitars are is the song Counterparts and Number Them. The parts individuly, though weird, are not difficult. The impressive part is in knowing they were ever not entwined. They bounce between being lead and rhythm every bar, and they never leave the listener bored. The best part about the guitar is that nothing, not even the drums, cast the dullest shadow.

There is something magical about how simple the drums are. They just compliment the music and never become overbearing. I think every not-real drummer in my high school could play Pulmonary Archery. Not as a slight! It just leant itself to being replicated.

Now I sound like an arrogant asshole so MOVING ON.

I started to write this, decided against it, and then discovered that they were inspired by Quicksand. I love that band to no end, but never hear anyone talk about them. I was forced into writing this because of that fact alone.

Seeing as there has been nothing this hard hitting in the punk-scene since Refused, and this is a fantastic tribute. I recognize that there have been other near-hits in regards to this sound, but nothing is near as iconic.

A decade in review…

Thank God I don’t work in a music store any longer. Not that I didn’t love it, but this task was stupid hard.

As you may have noticed, I posted a recommended media for the year and NOT a music list this time because I was lacking in new releases for the last year. I only had one, and though it was amazing, it doesn’t make a whole list.

I decided to do a decade long list. Recommendations that have come out in the last decade: break it into years, and that equals ten! That sounds like a good idea right? RIGHT?!

Wrong. There are several albums that I go back to over and over, and there are multiple years that, though they had a few good releases, don’t hold my attention.

With much blood (and tears) I managed to get my list down to 50ish. I picked the best release that a band had that decade, which is harder than you might think. Some of the bands had a good portion of their discography come out during this time! So, instead of doing an in-depth dive into what makes each album amazing, I’m going to try to sum it up in a sentence or two, and link to a good (if not the best) song from each album.

BEFORE I START THIS LIST! I am so sorry for any advertisements that play at the beginning of songs. I tried as hard as I could to find ad free versions, but I was unsuccessful most of the time.

HERE WE GO

Adam Evers — Moments
You have heard me done on and on about this EP over the last couple of months. It belongs on this list for many reasons. Read my full review here.

Balance & Composure — Separation
A grunge throw-back. I saw them open for Touchè Amourè a few years ago, and fell in love.
Song: Void

Bloc Party — Four
What pop-rock can be. The classiest vulgar that you can find.
Song: We Are Not Good People

Boards of Canada — Tomorrow’s Harvest
Ambient electronica. Incredibly peaceful and beautiful. Sounds like the tracking from a ’70s movie, and it’s amazing.
Song: Reach For the Dead

Broken Bells — Broken Bells
I love this album. There is something enchanting about it
Song: The High Road

Cage the Elephant — Thank You, Happy Birthday
It’s a shame that this album wasn’t bigger. I would argue that it is one thousand times better then their first, but the public has spoken.
Song: Always Something

CFCF — Radiance & Submission
Two ambient electronica albums in one list? I’m loosing my edge! In my defence, this one is French
Song: In Praise of Shadows

Chon — Grow
NO ONE SHOULD BE THIS GOOD AT INSTRUMENTS. PERIOD.
Song: Splash

The Contortionist — Language
What the latest Tool should have been. Complicated, but not unattainable. Absolutely beautiful.
Song: Intuition

Counterparts — Prophets
I’m going to be that guy: I played with them around the release of this album. Nicest. Guys. Ever.
Song: Goodbye Megaton

Crosses — Crosses
Deftones without Deftones. Very different from Team Sleep, though the same idea.
Song: Option

Cursive — I Am Gemini
I have trouble putting how I love this album into words. Smart, but not arrogant. Self deprecating, but not pathetic.
Song: Twin Dragon/Hello Skeleton (I really love from the 4 min mark on)

Dead Weather — Sea of Cowards
I was a moderate White Stripes fan, and I never listened to The Kills before this came out. This album, turns out, to be a great blend of the two. Cool drums, as well.
Song: Die by the Drop

Deerhoof — vs. Evil
Just cool. Oh, and fucking complicated. It is truly amazing what you can do with music, and this band proves it time after time.
Song: The Merry Barracks

Deftones — Diamond Eyes
Not their best, but far from their worst. Almost didn’t make the list, but it has my third favourite Deftones song on it.
Song: CMND/CTRL

Die Hexe — Die Hexe
This was a surprise that I didn’t realize that I needed in my life. Might be one of my favourite albums of all time.
I reviewed this one, as well.

The Dø — Shake, Shook, Shaken
Just a good ol’ pop album! So damned catchy, so damned cool!
Song: Despair, Hangover and Ecstasy

Fall of Troy — OK
I am going to try to describe this without swearing, so I will just say that it’s the best album they have released since Doppelganger. I’m not going to say their best, but very close.
Song: Inside Out

Hail the Sun — Wake
WHAT DO YOU MEAN THE DRUMMER SINGS? Think Mars Volta meets Circa Survive… BUT ADD A SINGING DRUMMER!
Song: Human Target Practice

Heart & Harm — Damage
Think A->B life by mewithoutyou. Now, forget that.
Song: Damage

Hot Hot Heat — Future Breeds
Such a good departure for this band. So many interesting takes on music but without reinventing the wheel.
Song: Times A Thousand

Invent, Animate — Everchanger
A more intense (better?) Misery Signals.
Song: Nocturne: Lost Faith

Kennedy — The Guilty Poor
The album opens with a monologue from 1984. It sets the mood for the entire album.
Song: Stillborn Believer (any album that opens with a monologue from the 1984 film automatically wins)

Livestalk & the Bodies
Okay, I put one of the albums I performed on this list. To be fair: it’s here because the rest of this album is amazing which does not have me.
Just go listen to the whole thing.

Melody’s Echo Chamber — Melody’s Echo Chamber
Psychedelic and ’60s sounding. I don’t know why I went through this phase where everything had to sound old, but I’m happy I did.
Song: Quand Vas Tu Rentrer?…

Minus the Bear — Infinity Overhead
Not my favourite MtB album, but Listing IS one of my favourite songs of all time.
Song: Listing

New Design — Far From Home
I was contacted to review this album around its release. I was not prepared for how good this group is. Also, they remind me of what emo was when I was in high school,
Song: I’ve Never Seen the Ocean

OK GO — Of the Blue Colour Of the Sky
I was on the fence if I was going to include this album, then I realized that there is nothing quite like it. Don’t get me wrong: I love this album, it just doesn’t quite measure up to the one prior.
Song: WTF

Periphery — Periphery
Never has a band started so strong to end up so pathetic. At least we will always have this banger of an album!
Song: The Walk

Rah Rah — Breaking Hearts
Probably one of the best bands that I have ever seen on stage. This album is just so damned cute!
Song: Henry

Ratatat — Magnifique
I hate everyone for not telling me about this album when it was released.
Song: Cream on Chrome

Regina Spektor — What We Saw From the Cheap Seats
There seemed to be this time in music where there was an influx of “girls-sining-and-playing-piano.” We are past this time, and this was actually a pleasant surprise. It doesn’t help that she comes off as incredibly condescending.
Song: All the Rowboats

Respire — Gravity & Grace
Metal and trumpets? Yes: metal and trumpets.
Song: Ascent

Samsaris — Samsaris
Sick of me banging on and on about this album yet? TOO BAD! I loved it when I picked it up, and I still love it to this day! I want to compare it to Bjork? But that might just be because of the Iceland comparison.
Song: Goda Tungl

Sigur Rós — Kveikur
SPEAKING OF ICELAND! Haunting. Incredibly beautiful. Heavy lyrically without me even looking into translations. Even if I found out that he was talking about how much he loved petting dogs, it would not change the fact that the first time I heard the first track, I almost cried from the intensity.
Song: Brennisteinn

A Silver Mt. Zion — Kollaps Tradixionals
I BUILT MYSELF A METAL BIRL I FED MY METAL BIRD THE WINGS OF OTHER METAL BIRDS…
If those words intrigue you in the slightest, I found your new favourite album.
Song: I Built Myself A Metal Bird

Sleigh Bells — Treats
What happens when you cross metal and pop? Something beautiful yet horribly disfigured, and I love it.
Song: Infinity Guitars

Slender Loris — World Tour
I am proud of myself for not loading this list with friends releases, but this is one of the greatest albums I have ever heard of ever.
Song: (not as hardcore as) Dismantle

Squarepusher — Ufabulum
I hate that I love this album so much. It’s electronica. No other caveats there.
Song: The Metallurgist

Stayce — Huck Dunter
When I was writing for Mind the Music, I found so many great albums! This is another one I came across in my short-lived travels on that site. Grunge? Not really. I don’t really have a category for them.
Song: Basement

Structures — All the Above
Still have a hard time trying to figure out some of the drum patterns. I gave up trying to learn it a while ago, but it would bring me much closure if I could AT LEAST FIGURE OUT WHAT HE IS DOING!
Song: Still Waters

Sufjan Stevens — Age of ADZ
Neat. Just, neat.
Song: I Want to be Well (personal anthem)

Title Fight — Shed
One of my favourite punk albums of all time.
Song: Shed

Tokyo Police Club — Champ
I do not have an excuse why I love this band so much.
Song: Bambi

Tom Vek — Leisure Seizure
This guy cannot sing, but his attempts are what make this album so amazing.
Song: Aroused (WARNING: If you smoke or DID smoke, this video will drive you nuts)

Touchè Amourè — Parting the Sea Between Brightness and Me
Some of the best lyrics that you will find ever. It really didn’t help that they are really nice guys who just love music.
Song: Home Away From Here

Vampire Weekend — Contra
Do you have an album that you love and you don’t know why and when people ask why you have so many plays on it, you hesitate to tell them it’s because you love the album dearly? Yeah, that’s my relationship with this album/Vampire Weekend in general.
Song: Giving Up the Gun

xx — Coexist
Minimalist, haunting, beautiful. There permeates a feeling that something is something horribly wrong, and it makes the album feel like a movie*.
*might be why the songs are featured in a few films and TV shows from that year
Song: Fiction

65DAYSOFSTATIC — We Were Exploding Anyway
This is the band that I wish I created when I was in high school. Stupid talented and imaginative. I love this band.
Song: Dance Dance Dance

Again; sorry for any ads that may have bombarded you. I tried to pick my favourite songs, the Melody’s Echo Chamber probably being my favourite of the last decade. Though I do recommend listening to all of these, I understand that it is a lot. There is enough for one a week, though!

Classic Album Review :: Arab Strap – Elephant Shoe

Fuck, I love this album.

REVIEW OVER

I play: this album is pretty well of opposite of what people think I would be into. Not only is it primarily acoustic, the vocalist has a thick Scottish accent which makes it sounds like he has marbles in his mouth. What gets neglected is just how perfect it fits cold days sitting in front of a computer screen.

As always, my favourite track is the opening song, Cherubs. I opens with a very digital kick drum accenting the two and four beats of the measure. The majority of the song is carried by an almost etherial acoustic guitar and a ghostly piano line that dance gracefully over the vocals. Maybe it’s because of how almost stereotypical the accent is, but it feels like someone narrating over a dreamscape.

I cannot hear a bass in most of the album. The low end is filled by the guitar, and it is a risk that pays off. The almost minimalistic approach maintains a dream-like quality to every track. This is accentuated by the playing with structure.

Though it can be argue, the songs on this album seem to buck traditional organization in favour for an almost natural feel. Parts repeat when they don’t seem to have rhyme or reason to, other parts that feel like there should be a reprise with never return. It can either be frustrating or liberating. In some ways, I feel like it’s the best part. The feel of this album is the main selling point, and the incomplete frustration that occurs almost adds to it.

As mentioned, Cherubs is my favourite track. However, I cannot say that any song is not worth a listen. A few songs elaborate on the fake drums, which never detract from the music by the way. I actually appreciate the fact that the members knew that they were not able to perform the drums. That way, the hits are perfect for what needs to be played.

No one seems to know of this band. If you like this album, I recommend whatever you can find. I admit, I have done little research into this band before today. I can confirm that they get more elaborate with later albums (like how their is a full band on “The Last Romance”) and the structures remain somewhat the same.

Of course, I cannot mention this band without bringing up my friend Adam Evers and his EP that he released earlier this year (2019). Fantastic release that needs all the attention in the world.

2019 :: In Review

I don’t have a best album list for the year. I only one EP from the year, which was released by Adam Evers. Though it would end up in my top for the year if I had more, I feel it would be in bad taste if I tried to do a “best of” for the year with such a small sample size.

I might do a “best of decade” list in the new year, but that is not my focus right now.

In the last year, I have produced a couple of my favourite pieces of writing. That includes “Martha.” as well as “Alone.“. It’s coincidence that I decided to put “.” in both names, but it’s fitting that my personal favourites were both accented by periods. “Martha.” has a sci-fi theme and explores memory, time, and trust. “Alone.” is a dystopia-style enigma that is a little more forward in it’s delivery, but has to do with trust again.

Over the last month, I have been dealing with Friessen Press again to repress You’re Not Dead and add in some additional content. I have not firmed a release date as of yet, but it will contain a revised version of You’re Not Dead (with a lot less stupid grammar errors) as well as several anewsin stories. This also includes a couple of new stories that will not be on this site, and the few people that I have had read it over have agreed that they are good.
Just for fun, I also punctuated each chapter with a Depressing Fact, things along the lines of “You will die.” and other… fun… things of that nature. I was asked by one person if there was a point to the piece, and I simply replied with something along the line of refreshingly true.

They did not find that as funny as I did.

I also forwent the idea of updating this blog once a week! So far, I have noticed a bump in stats (obviously) but also a bump in retaining readers for more than just the one update! Thank you all, so much, for staying interested in what I have on my mind.

For things I have watched, Bojack Horseman continues its voyage in being one of the most depressing, yet funniest, things I have ever watched. That, in combination with Archer 1999, it has been a great year for cartoons.

(To be clear: it was not my favourite season of Archer, but it was very good. Especially if you like the deviation they have been taking for the three seasons prior.)

For things that I have never heard anyone talk about, check out Final Space. It continues that rabbit hole of being hilarious shows that are dark. Think Battle Star Galactica mixed with Invader Zim. The second season came out this year, and it contains a few of my favourite lines ever put into a show, but also contains some of the most bleak ideas that you will ever find in sci-fi. Do yourself a favour and start this show from the start. Then thank me. Then watch it again.

For games, I have been a complete and total wallflower this year. My attention has been on watching Kojima releasing Death Stranding and people not knowing what to do. I have been watching an almost resurrection in the popularity of Minecraft and wondering why, and I have been laughing probably too hard at the remaster of every game from my past. Though gaming has taken a back seat for myself over the last year or two, I still look in to witness where the industry is going. I use it as kind of a meter for society as a whole. Not so much on a micro scale: I don’t see them as one-to-one. More as evidence to see where mindsets seem to be.

Anyway, this ramble is complete. I’m mostly happy with these recaps of what I noticed, but if I missed a category, let me know! Though a year is just a blip in the grand scheme of things, it feels long at the time. For instance, it has been three years since my book came out, two years married, and six years in a wheelchair! My leaping fuck time moves strangely!